Teruyuki Noda

Composition NameDateInstrumentation
Ballade for shakuhachi, koto and violoncello 1983 Trio
Ballade for flute, violin and pianoforte 1980 Trio
Reflection 1977 Trio
Trois Esquisses pour Orchestre 1975 Orchestra
Livre de Mort Op. 19 1975 Choral
Obsession 1974 Quintet
Hymn 1973 Solo
Mutation op. 18 1971 Orchestra
Trio per violino, violoncello e piano 1971 Trio
Ecologue for Flute and Percussions 1970 Trio
Trois Developpements pour Piano 1969 Solo
Mattinata 1968 Quintet
Quintetto per Marimba, flute.... 1968 Small Ensemble
Concerto for Guitar and Orchestra Orchestra
Trio pour violon, cor et piano Trio
Birthplace
Mie Prefecture, Japan
Birth Date
6/15/40
Studies:
Tokyo Nat. University BA/MA Tomojiro Ikenouchi Akio Yashiro Akeo Watanabe
AwardPurposeDate
Concours First PrizeSymphony In One Movement
Tokyo CentennialChorale Symphony1968
Otaka PrizeCulture Bureau1978
Italian BroadcastingAward
Publication Title Author Date Reaction Synopsis Type
The New York Times MFJ Offers 4 NY Premieres Peter G. Davis 11/14/78 Positive "Mr. Noda's piece is quite hypnotic, delicate and expressive in its juxtaposition of blown, bowed and plucked sounds, yet more dramatically aggressive than seems to be the norm for most.. Review
The New York Times MFJ offers 4 NY Premieres Peter G. Davis 11/14/78 Positive "quite hypnotic, delicate and expressive...dramatically aggressive Review
The New York Times Concert:MFJ Performed at Carn. Allen Hughes 2/26/82 Positive "The music is mistily atmospheric for the most part and varies relatively little from movement to movement." Review
The New York Times Japan In New Music Weekender Guide 12/2/83 Positive Article
The New York Times MFJ Series at Asia Society John Rockwell 12/4/83 Positive "...sounded earnest and derivative in the semi-Expressionist "international style" modernism of that time." Review
The New York Times Harp Enchantment in Jap. Mode Allan Kozinn 2/27/89 Positive ..a kind of rondo in which permutations of a murky figure at the bottom of the harp's range punctuate more flighty passages full of cascades, strummed passages and bent pitches....... Review

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