| Composition Name | Date | Instrumentation |
|---|---|---|
| Du Cote De La Maison D-Ingre | 1989 | |
| Genso-Teien(The Fantastique Garden) | 1987 | |
| Suisho Ingetsu (Crystal Moon) | 1986 | Solo |
| Perspectif du Buouillard=Mist persp | 1986 | |
| Blue et Bleu | 1982 | Duets |
| Prelude "Image Emeraude" | 1982 | |
| Mon Soleil, Je ne connais que toi | 1981 | |
| Ailleurs for Orchestra | 1979 | Orchestra |
| Ailleurs... | 1979 | Small Ensemble |
| Journal d'ete (Journal in Summer) | 1978 | |
| Le Bleu du Ciel | 1977 | Chamber Orchestra |
| Sol Diese | 1977 | |
| Super-Ciel-Sonore | 1976 | |
| Cho-Ku-On pour piano | 1976 | Solo |
| Le Cadre Blanc | 1972 | |
| Quand on voit le ciel... | 1970 |
| Award | Purpose | Date |
|---|---|---|
| Scholarship FACAy | French Agency of Cultural | 1977 |
| Affairs | ||
| Scholarship FACA | French Agency of Cultural | 1979 |
| Affairs | ||
| Rome Prize | ||
| Publication | Title | Author | Date | Reaction | Synopsis | Type |
|---|---|---|---|---|---|---|
| The New York Times | Miyata plays the sho | Tim Page | 2/23/87 | Positive | "...ethereally lovely and not altogether of this world." | Review |
| The New York Times | TheDrum in Japanese Music | Allen Hughes | 2/26/84 | Positive | The best work of the evening was very different, a relatively brief composition for small orchestra by Kimi Sato. ..music here is adept, resulting in a kind of spinning vibrancy... | Review |