| Composition Name | Date | Instrumentation |
|---|---|---|
| Carmina Burana | 1971 | Small Ensemble |
| Concertanto for String Qt. with Double Bass | 1969 | String Quartet |
| Per Pianoforte | 1969 | Solo |
| Monodia per pianoforte | 1969 | Solo |
| Aria for Unaccompanied Violin | 1968 | Solo |
| Air per violino solo | 1968 | Solo |
| Concerto Grosso for String Orchestra | 1965 | Orchestra |
| Award | Purpose | Date |
|---|---|---|
| Tokyo Art Festival Prize | Chaconne-Trad. Jap. Instr | 1971 |
| Tokyo Art Festival Prize | Concertanto | 1969 |
| Publication | Title | Author | Date | Reaction | Synopsis | Type |
|---|---|---|---|---|---|---|
| The New York Times | Music: New Works From Japan | John Rockwell | 12/21/76 | Positive | "engaging on a purely aural level" | Review |
| The New York Times | Musical Meeting of East & West | John Rockwell | 12/17/76 | Neutral | Article | |
| The New York Times | Koichiro Harada in Jap. Works | Will Crutchfield | 12/22/86 | Neutral | ...one is caught up in the meticulous exploration... | Review |