| Composition Name | Date | Instrumentation |
|---|---|---|
| Penombres III | 1987 | Small Ensemble |
| Hierophonie V | 1983 | Sextet |
| Convergence I pour Marimba | 1975 | Solo |
| Award | Purpose | Date |
|---|---|---|
| Lily Boulanger First Pr. | 1971 | |
| Comp. Grand Prix | SACEM in Chamber music | 1974 |
| Prize Winner | Unesco Int'l Composers | 1982 |
| Publication | Title | Author | Date | Reaction | Synopsis | Type |
|---|---|---|---|---|---|---|
| The New York Times | Harp Enchantment in Jap. Mode | Allan Kozinn | 2/27/89 | Positive | The ensemble should not have needed direction: most of the work's energy and complexity was in the harp writing. | Review |