Mamoru Fujieda

Composition Name	Date	Instrumentation
Night Chant No. 3 for shomyo and computer	1994	Duets
Talk-back Drum	1992	Quintet
Doubles of Francesa II	1992	Chamber Orchestra
Doubles Resounded III	1992	Quintet
Doubles Resounded II	1991	Solo
Piano Cocoon	1991	Duets
"What's Time?" Resounded	1991	Solo
"All My Loving" Resounded	1991	Solo
Doubles of Francesa I	1991	Small Ensemble
Office Trip Music	1991	Duets
Kyrie Resounded I	1987	Duets
Doubles III	1986	Small Ensemble
Miroir Midieval	1985	Quartet
Rhetoric of Orchestra	1984	Orchestra
Begin at the Begining, End at the End..."	1983	Solo
Decorational Offering	1983	Solo
Planetary Folklore II	1982	Small Ensemble
Upward Falling	1981	Solo
Planetary Folklore - nine processes of...	1980	Trio
Falling Scale No. 1	1975	Solo

Birth Date: 1955
Studies:: Tokyo College of Music; University of California PhD x Joji Yuasa Morton Feldman Gordon Mumma/J. Estrada

Publication	Title	Author	Date	Reaction	Synopsis	Type
The New York Times	Five Local Premieres	Will Crutchfield	2/5/86	Neutral	"...slightly diverting in its own way..."	Review
The New York Times	Aki Takahashi, Pianist	Bernard Holland	1/16/89	Negative	Mr. Fujieda'a extremely difficult piece subjects its Gregorian theme to an incessant scrambling shifts of color and texture. Its subject stands, nothing moves.	Review
The Village Voice	Aki Takahashi	Voice Ads	1/17/89	Neutral		Article
The Village Voice	In the Loops	Kyle Gann	2/14/89	Negative	The weakest offering was Fujieda's Kyrie Resounded I, he set a flat clarinet line of modulating arpeggios against moody, Messiaenish chords on the piano and sounded like a reg. piece	Review
New York Times	Classical Music in Review	James R. Oestreich	3/22/94	Positive	"Mamoru Fujieda worked electronic keyboards in his ritualistic 'Night Chant No.3'...the concluding section...was especially haunting."	Review