| Composition Name | Date | Instrumentation |
|---|---|---|
| Kamiya Bar | 1992 | Sound Collage |
| She Gol Jib | 1991 | Electronic Music |
| Jakuzure | 1988 | Electronic Music |
| Sonali | 1988 | Electronic Music |
| Wall Me Do | 1987 | Electronic Music |
| Shing Kee | 1986 | Electronic Music |
| Hop Ken | Electronic Music |
| Award | Purpose | Date |
|---|---|---|
| Freeman Award | For "Hop Ken" | x |
| Publication | Title | Author | Date | Reaction | Synopsis | Type |
|---|---|---|---|---|---|---|
| Staten Island Advance | Music and technology interact at sympos. | Eileen Siegel | 3/27/90 | Neutral | "...involves the pitch-sensing system, which triggers various reactions in the computer controlling the sound-generating devices, such as the synthesizer and the sampler." | Article |
| The New York Times | Ritual and Technology | Bernard Holland | 3/28/90 | Neutral | "...'Jakazure' was sabatoged...by a hard-disk eating power surge some hours before the concert (the computer as censor? critic?). Mr. Stone...and the passionate Miss Sawai improvised instead." | Review |