| Coda |
Apple Source |
Kevin Whitehead |
8/92 |
Positive |
"Teitelbaum's beautifully rendered 'Intera', using his complex and flexible live-sampling programs, revealed each player's char- acter (to use Richard's analogy) as a mirror does." |
Review |
| Los Angeles Times |
Cultural Variety in 'Masters of Traditio |
Chris Pasles |
3/27/92 |
Negative |
"Long stretches seemed to pass solely for the purpose of creating material that could then be electronically manipulated...neither the primary nor the secondary material proved very interesting." |
Review |
| The Japan Times |
'Music from Japan' makes a hit in NY |
Marc Moses |
4/5/92 |
Positive |
"the music...bridged the gap between the nohkan's piercing cry and the electronic sounds of Teitelbaum's computer." |
Review |
| The Washington Post |
Japan's Dualism in Sound |
Joseph McLellan |
3/23/92 |
Positive |
"What musical combination could suggest Japan in the late 20th century more aptly than a dialogue between an age-old bamboo flute and a computer?" |
Review |